Description: The Bicycle Thief / Miracle In Milan / The Roof1948-1951-1956 / 87-93-95mins / Italy / Compass Film / DVDExtras: That's Life: A Documentary About Vittorio De Sica, Documentary on the Premiere, Interviews with Manual De Sica and Brunella Bovo, Interview with Gabriella Pallotta, Interview with Manual De Sica, TrailerSubtitles: EnglishAspect Ratio: 1.33:1Picture Format: AnamorphicTV System: PALSoundtrack(s): Italian Dolby Digital 2.0 Dual MonoCase type: Keep CaseRegion 4 Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family. Miracle in Milan (Italian: Miracolo a Milano) is a 1951 Italian fantasy comedy film directed by Vittorio De Sica.[1] The screenplay was co-written by Cesare Zavattini, based on his novel Totò il Buono. The picture stars Francesco Golisano, Emma Gramatica, Paolo Stoppa, and Guglielmo Barnabò.The film, told as a neo-realist fable, explains the lives of a poverty-stricken group in post-war Milan, Italy. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." The Roof (Italian: Il tetto) is a 1956 Italian drama film directed and produced by Vittorio De Sica.Natale, an apprentice bricklayer, and Luisa, who has no marketable skill, marry and try to live with Natale's parents and other relatives in one apartment, what might happen in the poorest classes in Rome about 1950. After a quarrel Natale and Luisa precipitately leave without a place to live. The remainder of the film is devoted to their finding housing. The solution is building a one-room brick dwelling as a squat on unused railway land on the outskirts of Rome. As it was illegal, Natale arranges his workmates to assist him during the night. According to the rules, if a dwelling has a door and a roof the householder cannot be evicted. At dawn when the police arrive to remove them the dwelling is complete except for part of the roof, but a humane policeman looks the other way. The happy ending is not without realism. In financial straits, and facing imprisonment later, Natale and Luisa, now pregnant, will encounter difficulties ahead."[The Roof] is a confirmation of the power of neorealist principles ... De Sica has seen to it that every incident, every detail in every shot contributes to a sense of unstrained, unforced actuality" (Arthur Knight, Saturday Review). We have secured a recent restoration of the film that marked De Sica's final return to the classic neorealism of Bicycle Thieves after forays into romantic melodrama (Terminal Station) and Neapolitan comedy (The Gold of Naples). Two non-professional actors (one a soccer star) give winning performances as a newly married couple who, after a family quarrel, are left homeless in Rome. A bricklayer by trade, the husband conscripts his co-workers to help build an abode overnight, hoping that the police won't find the couple's new "roof" illegal and have it destroyed. "A lovely little seriocomic film ... deeply touching" (Bosley Crowther, The New York Times).
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End Time: 2024-12-30T09:14:39.000Z
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Returns Accepted: ReturnsNotAccepted
Format: DVD
Region Code: DVD: 4 (AU, NZ, Latin America...)
Cinematic Movement: Neorealism
Sub-Genre: Foreign
Features: Cult
Genre: Tragedy
Movie/TV Title: de sica